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A Mormon Maid
Directed by Robert Z. Leonard
Screenplay by Charles Sarver
Screenplay by Paul West
Production Company: Famous Players-Lasky
Premiere Date: February 14, 1917
Length: 65 min.
 

Genre:   Film
Production Type:
Non-Mormon Production
Content Types:
Narrative Film
Significant Mormon Elements
Distribution Types:
Commercial Theaters

Subjects: polygamy; anti-Mormon film;
Summary:
Settlers Tom and Nancy Hogue, with their beautiful daughter Dora, are rescued from Indians by a group of Mormons and, destitute, are forced to go live in the Mormon city. After a few years, apostle Darius Burr directs puppet leader Brigham Young to force Hogue to enter plural marriage as part of a plot for Burr to take Dora unto himself. Hogue takes a second wife to save his daughter, but his wife kills herself upon learning of it. Dora is taken prisoner anyway, and as she attempts to escape there is a small battle in which Hogue is killed. About to be forced to marry Burr, Dora lies about her maidenhood to avoid the ceremony, after which she escapes again with her beau, a Mormon scout named Tom Rigdon. They flee with the aid of a renegade Danite, but are overtaken on the plains and in the climactic battle Dora shoots Burr in the back. The Danite is unhooded to reveal none other than Hogue, who secretly survived the previous fight, and three set off together, leaving the Mormons behind forever.

Annotations:
See Mormon Film: Key Films of the First Wave

Though largely unknown today, A Mormon Maid is arguably the most potent and important anti-Mormon film in the history of cinema. Produced under director general Cecil B. DeMille at Famous Players-Lasky, it was heralded as the most-advertised picture in the history of American cinema up to that time. Critical reviews were generally extremely favorable, and audiences flocked to it. It played for months across the United States, Europe, and other countries, and anti-Mormon organizations kept it in private circulation for years to come. The LDS Church sought to suppress it or ameliorate its influence, but, as with many other anti-Mormon films, all such attempts were futile. Mormons at the time and for years to come remembered it as the most lethal cinematic treatment they had ever received, particularly because of its depiction of sacred temple robes.

Given this status, it is interesting that the film is nearly forgotten today, losing its notoreity to much lesser films such as Trapped by the Mormons (1922). At the time A Mormon Maid was in all respects a prestige production from a major studio (opposed, for instance, to Trapped's B-picture status from a brand new independent firm), and it was, to all appearances, designed to benefit from the success of D.W. Griffith's landmark The Birth of a Nation from two years earlier. Not only was it handled and marketed in this way, but the film's content itself made explicit references to the Ku Klux Klan by linking them with the Mormon Danites. (The Danites' hoods, we are told--which never existed historically--are the historical precedent for the KKK's more famous attire.) The connection was noted by contemporary critics, and the entire concept worked, bringing in large audiences.

This makes all the more perplexing A Mormon Maid's neglect by modern historians, LDS and otherwise. Though it was a lesser film than Birth of a Nation, it still seems odd that while Griffith's film has proven quite controversial and received many revisionist readings by African Americans, A Mormon Maid, in contrast, has received very little critical attention at all. To date, the only revisionist reading by a Latter-day Saint critic is Richard Alan Nelson's article "Commercial Propaganda in the Silent Film: A Case Study of 'A Mormon Maid' (1917)," which was printed in Film History Vol. 1 (1987), p. 149-162. Hopefully as LDS cinema continues to progress, A Mormon Maid will assume its rightful position within the canon.

It is interesting to note that Mae Murray, who was then married to Robert Leonard, was reportedly uncomfortable with the subject at the time of shooting and later greatly regretted being involved. Also, Frank Borzage, apparently the only native Utahn in the cast, was a Catholic who later gained prominence as a director, winning the first Oscar for that position in 1927/8. --Randy Astle

Dates Spanned in work:
1870s or 80s

View BYU Library catalog record
http://catalog.lib.byu.edu/uhtbin/ckey-search/3666793

Organization:
Friedman Enterprises Famous Players-Lasky Corp

HBLL Call No: VC 13136, DVDMM 159
Medium: 35mm black and white (silent)
Cast Members: Mae Murray - Dora Hogue; Frank Borzage - Tom Rigdon; Hobart Bosworth - Tom Hogue; Edythe Chapman - Nancy Hogue; Noah Beery - Darius Burr; Richard Cummings - Brigham Young
Cinematographer: Charles Rosher
Country: USA
Language: English (silent)
Certification: none
Distributor: Famous Players-Lasky


Reviewed In:
Commercial Propaganda in the Silent Film: A Case Study of 'A Mormon Maid' (1917) by Richard Alan Nelson






Total Queries: 18. Total Execution Time: 0.007 sec.
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